Photograph by Loren Bliss copyright 2011.
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REORGANIZATION: One of the (few) administrative tasks I'm (sometimes) truly good at is sorting stuff into logical categories. For example, when I was editor-in-chief at Art Direction in the mid-'80s, one of the first things I did was redesign our editorial format into accurately named divisions: Trends & Concepts, People, Notable Work, Departments (the latter including Letters, Book Reviews and a calendar of relevant events). The redesign served two functions: it gave our readers easy access to the material in which they were most interested, and it helped our art director and editorial staff (self included) by focusing our thinking more sharply on the job we had all been hired to do – that is, providing the international commercial art community with vital up-to-date information.
Alas – probably because the form and content of Outside Agitator's Notebook is very much a work-in-progress – it never (until now) occurred to me to apply those principles here. But when I awoke this morning I discovered I was already thinking about how to improve OAN's often cumbersome presentation into something presumably more reader-friendly. (Yeah, I've been aware of the problem all along, but navigation of the infinitely treacherous digital sea remains so very alien to me – so different from sailing the predictably Newtonian typographic oceans on which I learned my metaphorical seamanship – I was too focused on the waves to see the water.)
Hence, starting today, the division of OAN into five categories: Visuals, Nulle Bastardo, Dialogues, Glimpses and Miscellany.
Visuals will be primarily about photography, mostly my own, but it will sometimes venture into other visual media – for example collage – and it will occasionally feature works by other artists. Nulle Bastardo, from the schoolboy Latin nulle bastardo carburendum – don't let the bastards grind you down – will continue OAN's role as a modern-day Cassandra; often, as today, it will link to news reports the Ruling Class Media is deliberately suppressing. (The section title honors my father, the late Donald R. Bliss, who suffered greatly for his Leftist politics and for whom the Latin phrase was a sardonic slogan for everyday life.) Dialogues will link to relevant material and associated discussions on other websites in which I participate. My hope is it will solve the problem of visually tiresome expanses of type by including only the essence of my comments on each thread; those who are intrigued may then click on the link to pursue the topic further. Glimpses, which will appear only rarely (and of necessity take up most if not all of an entire edition), will feature excerpts from my memoir, a work-in-progress. Miscellany is self-explanatory: corrections, clarifications, occasional notices of forthcoming events, any other material that fits nowhere else.
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VISUALS: The image above is from an ongoing series of photographs I'm making of my neighbors. It was the summer of 2010, a bunch of us were sitting together on the patio enjoying the warmth and sun, and I had some leftover frames of Kodak 800 color negative film I'd been shooting indoors by available light. While the original was surely adequate as informal portraiture, I later posterized the picture to alleviate the Disneyland hues of the Kodak spectrum and give it some of the impact it would have had in black-and-white. The camera was a Leica M4, the lens a 90mm Voigtlander Apo-Lanthar f/3.5, probably at f/16.
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Directly relevant to my camera work is the fact there's a longer-than-normal collection of links in Dialogues today. This is because I was knocked completely off center and into a kind of intellectual and emotional paralysis by that thieving merchant – an archetypal capitalist pig – of whom I wrote in “Synchronicity Again” (19 April). I am not identifying him – yet – because I have unresolved complaints against him at the local Better Business Bureau and the office of the Washington State Attorney General.
The pain this merchant inflicted is not about the loss of money; it is about the destruction – forever – of a documentary project I had been thinking about and refining for nearly three years, a project now dead beyond any possibility of resurrection because the money he stole (by sending me worthless junk instead of the reconditioned Rolleiflex I ordered) is irreplaceable. I was able to raise that money only by selling a non-reconditioned Rolliflex to another (wholly reliable) dealer Back East – the intended transaction a kind of once-removed trade. Meanwhile my pension is so miserly I live literally hand-to-mouth, with no possibility of ever achieving any savings at all, and the events of the last few years make it clear I will never again be allowed to work except as an unpaid volunteer.
As a consequence there is absolutely no possibility I will ever be able to resurrect the documentary project, which was to have been a series of contemplative black-and-white portraits of my neighbors – images made possible only by the unique psychodynamics of the photographer-subject relationship that evolves from the photographer's use of a twin-lens reflex, which forces the photographer to seemingly bow to the subject during each exposure. Yes, I can do something vaguely like it in 35mm (and probably will), but the resultant pictures will be radically different from anything I envisioned; they cannot possibly approach – save by lucky accident – the originally intended psychological revelation and aesthetic validity. (This – how the psychodynamics of photographic equipment determines the images that result – is a topic we shall take up again very soon, though not today as we have a great deal of catching-up to do.)
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NULLE BASTARDO: My most heartfelt applause for President Barack Obama for finally giving the finger to the so-called “birthers” – the racist pigs who attacked his ethnicity by challenging the validity of his birth certificate, thus questioning his right (and ultimately the right of any African-American) to be a Black man in the White House.
As OAN readers know, I have huge political differences with the President; ideologically he is in fact a Republican (precisely as Ezra Klein of The Washington Post points out in one of the more important post-2008 pieces of Ruling Class Media political analysis).
But that does not alter the Ku Klux Klanishness of his Rightist opponents – the enduring bigotry the nation's whites affirmed in the 2010 elections.
Which Klein reveals, however indirectly, by disclosure of the true (and genuinely conservative) Obama ideology – indisputable proof the Republihonks and their electoral disciples hate the President for his race, not for his politics.
Again indirectly, Klein's reportage also underscores the magnitude of the President's deliberate betrayals – the ideological reality behind the Big Lie of “change we can believe in” and the deceptiveness of Obama's 2008 campaign in general.
It's all available here:
http://readersupportednews.org/opinion2/277-75/5745-obama-revealed-a-moderate-republican
and (though only for those who are enrolled WaPo readers) also here:
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Last night I opened the angriest Leftist comment-thread I have yet read anywhere on the Internet, in this instance on the radical news-site Common Dreams.
The thread is in response to a not-very-enlightening piece entitled “Why Wall Street Is Winning” and is a perfect example of what to write on a website if you want Homeland Security to come knocking on your door at 4 a.m.:
http://www.commondreams.org/view/2011/04/26-0
As you read it, remember the dictum of Lev Bronstein: “in any gathering of three revolutionaries, at least one is an agent of the Okhrana.” Remember also the four requirements of successful revolution: ideology, organization, mastery of Ruling Class technology, the support of a major foreign power – none of which are possible in today's United Estates of Wall Street. Remember most of all that anger without ideology and organization cannot ever be anything more than anger – that a mob lacking even one of the four requirements cannot ever be anything more than a mob.
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News the Ruling Class wants to hide: “In an extraordinary uprising at the Tucson Unified School District board meeting Tuesday (26 April), Ethnic Studies/Mexican American Studies (MAS) students chained themselves to the board members chairs and derailed the introduction of a controversial resolution that would have terminated their acclaimed program’s core curriculum accreditation.”
http://www.commondreams.org/headline/2011/04/27-0
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DIALOGUES: Thank you, John Douglas Marshall, for a brutally accurate portrait of the devastating reality of longterm unemployment.
I know you speak the truth because I have been there myself, though now at age 71 I am (bitterly) resigned to the fact I will never work again. Hence I have learned to live on a tiny Social Security pension, my now-faltering health sustained by the very Medicare programs our genocide-minded politicians seek to destroy.
The bad news for us all is that what is being done to you and has already been done to me is merely capitalism in action...That is why, regardless of our skills, we workers are evaluated as if we were machines – thrown away the instant our masters discover a person who can do the work cheaper and thereby put more money in the investors' pockets.
There is also the fact capitalism regards old people as dangerously subversive simply because we remember better times...
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Three points on the Right's effort to ban all forms of contraception:
(1)-Pragmatic_realist is only about 25 percent correct when he cites the theological basis of the Judaeo-Christian-Islamic sexual taboo. Indeed the theology was almost certainly ex-post-facto embellishment, the patriarchs groping for a rationale to explain their huge terror of sexuality in general – especially the sexuality of the infinitely orgasmic female, which in matriarchal times – the first probably 96,000 years of our species' 100,000-year history – was the wellspring of the entire human social order.
But to overthrow the Great Goddess and the matriarchal (i.e., natural) order she symbolizes, it was necessary first to damn female sexuality as evil (hence the origin of misogyny), and then – because of the revolutionary power any sexuality acquires under patriarchy – to damn all sexuality as well.
Finally came the theological rationale. This is merely propaganda...Hitler did not invent the Big Lie, which is as old as patriarchy and originates from the fact male supremacy is itself a lie. The biological truth is we are all female at conception; a male is in fact a mutated female (which, by the way, makes patriarchy the one truly “unnatural act” and explains the length the patriarchs will go to retain power).
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(2)-The post-Civil-War South was, and remains, a theocracy. Christianity in the South's savagely capitalist society functions as the brain-police agency; it is the ultimate antidote to unionism, feminism and any other humanitarian values. Should anyone resist, there's always the Ku Klux Klan – the original U.S. death squad – to eliminate heretics and backsliders; indeed the colloquial name for the Klan is “the Saturday Night Men's Bible Study Class.”
Who can doubt this is the governing ethos the capitalists are now methodically imposing on the rest of the United States?
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(3)-How does the denial of contraception specifically aid the Ruling Class? Here is a short review: capitalism – infinite greed as maximum virtue/infinite selfishness as ultimate good – demands theoretically unlimited profit. Hence the most perfect form of capitalism is a slave economy, which is the final objective of all capitalist governance: absolute power and limitless profit for the ruling class, total subjugation and genocidal poverty for all the rest of us.
But how, under such circumstances – that is, the total absence of government social services – do the capitalists achieve an adequately large slave class? The answer is by forcing women into unlimited breeding and thereby increasing the birth rate until it exceeds the die-out resulting from the total absence of contraception and health care.
Hence the denial of contraception, which serves three (additional) purposes simultaneously...
http://www.commondreams.org/view/2011/04/25-0
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Wake up, people; we're in a war – a war of subjugation and extermination against all of us who are not part of the Ruling Class – and it is damn well time we started behaving accordingly.
But of course we never will – at least not in white America.
Meanwhile the capitalists are not “indifferent” to the fact 45,000 people are murdered each year by the (deliberate) withholding of health care. No indeed; the capitalists maliciously applaud each death!
Why? Because murder – or the threat of murder – is the quintessence of capitalism. Every one of us killed by denial of health care is one less non-profitable mouth in the capitalists' slave pens. Each of our corpses is an example to terrify the survivors into working harder for less pay.
Death is the primary function of health-care denials: the extermination of those of us who are non-profitable – that is, those of us too old or disabled or uneducated or too-long unemployed to be exploitable for profit...
http://www.commondreams.org/view/2011/04/21-5
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This time, Ralph Nader is dead wrong.
To strike a spark requires the hardness of flint and the combustibility of iron.
To start a fire with flint and steel requires a medium to catch the spark and tinder within which the fire-maker's soft steady breath then mothers the spark to flame.
After that it is as in Peter Gabriel's incomparable anthem “Biko”:
“Once the flame begins to catch, the wind will blow it higher.”
Moron Nation has neither the hardness nor the combustibility, much less the fuel...
http://www.commondreams.org/view/2011/04/19-4
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MISCELLANY: Correction of a (stupid) dyslexic error. In “A Pivotal Death: Reflections on the Post-FDR Suppression of Our Freedom” (12 April), I inadvertently added a zero to a vital number in a damning assertion of fact: “...the nearly 50,000 persons slain each year by denial of health care...”
Hence the correct number “nearly 50,000 persons” first appeared as a sum ten times greater. Not only did I mistype; I missed the error when I edited the text. I have corrected it here and also in its original:
One of my worst most mortifying failings is my dyslexic inability to spot errors in my own work. The fact this is a common problem amongst all dyslexics does not absolve me from its associated flares of self-contempt. But when I wrote for newspapers and magazines, I trusted sharp-eyed editors to protect me from such mistakes; when I was an editor, I routinely had my writing double-checked by a trusted colleague.
Now of course I have no such help; my inadequacies are thus all-too-often publicly displayed.
To be reasonably assured something I write is free of mistakes, I have to re-read it 20 or 30 times over a period of several days or even weeks. When I have that kind of time, I can usually overcome my deficiencies, though even under the best of circumstances I am utterly helpless when it comes to spotting numerical errors, especially transpositions or extra digits.
In any case this is precisely the reason I wrote as I did on 19 April: “I am not a writer. I despise the act of writing; it is like trying to wrestle a washtub full of lubriciously writhing worms into a huge vase obstructed by an impossibly narrow neck. I am in fact a total fraud as a writer – a gravely handicapped dyslexic who has merely learned to (mostly) hide his abysmal failings behind a smokescreen of eloquence.”
But I said then (and repeat now for emphasis), it is as a photographer I come alive. I am enchanted by the dance of light and shadow; I am obsessed with sculpting its choreographies in alchemical silver.
LB/27 April 2011
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